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Charlie Hein
Postmaster
Reged: 11/02/03
Posts: 11211
Loc: 26.06.08N, +80.23.08W
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It's pretty easy to see that there's a large difference in quality between the kinds of images that can be achieved with a modified webcam and those that are being turned out by Charles, Suk, and others in this forum.
Frankly, when I see some of the descriptions of the images, it seems a little daunting, both in terms of the expense involved to acquire the necessary gear, and the technical expertise required to operate the gear and process the images. However, I used to think the same thing about planetary and lunar imaging, and it turned out that the technical hurdles aren't as daunting as they looked at first.
(Having said this, I must note that I wouldn't claim to have *mastered* this aspect of astrophotography in any respect - it just turned out that it wasn't as hard to understand as it first looked to be, and I'm willing to bet that the same is true in this arena)
At any rate, I thought it would be a good thing to invite persons who are already involved in this aspect of the hobby (your images identify you already!) to discuss this with those of us who are interested in this, and would like to know more about your experiences and what is involved.
Specifically, I think it would be informative to focus on the following areas:
What are the absolute prerequisites needed to get started in terms of scopes, mounts and such - and why do you think so? At this stage, we are not discussing any camera gear at all. The point would be to identify a minimally workable telescopic platform that a person really needs to already own before considering this.
After the absolute prerequisites, what are the most immediately useful additions to the basic telescopic equipment that a newbie to this arena could use - and why do you think so?
What are the things that would definitely preclude someone from considering this aspect of the hobby - and why do you think so? By this, I mean environmental factors such as observing site, physical impediments, temperament, and the like.
What are the kinds of things that a person interested in exploring this aspect of the hobby must/should know (or learn) before they should consider investing any hard earned cash on "serious" astronomical camera gear - and why do you think so?
How does a person maximize their buying dollar vs. capability when the time comes to purchase an astronomical CCD camera setup - and why do you think so? This question is similar to the first, except that now we're talking about the absolute minimum (entry level) setup required to generate images approaching or equalling those we've seen from Charles, Suk, Oldfield and others. It might be helpful to wait until we're at this stage to discuss the actual cost of this gear.
Similarly, the next question would be what are the most immediately useful additions that a newbie imager should consider in order to improve their work - and why do you think so?
I really think that this could be a really useful addition to the knowledge base here... any takers?
Charlie
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Charles
Post Laureate
Reged: 06/12/03
Posts: 4111
Loc: Enterprise, AL
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I might consider taking a stab at it, but not right now. First reason is it is clear here and has only been clear this time and one other in the last four weeks so I'll be outside with the Money Pit imaging tonight. It would take a couple of days to throw something together and it would probably in up on the report side and not in the thread, because I would want to include pictures probably.
Let me think about it and I'll try and put together something in the next couple of weeks.
Charles
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Suk Lee
Post Laureate
Reged: 10/07/03
Posts: 4534
Loc: Pleasanton, CA
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Charlie:
Great thread. Like Charles, I'm going to take some time to put my thoughts together.
However, there is one truism that isn't often brought up because it smacks of elitism: processing skills aside, the more $$$ you spend, the better results you'll get.
Ouch
For example, Ron Wodaski (whose processing skills are unquestionable) is currently churning out images that are just untouchable with the type of equipment owned by mere mortals. i.e. 20" RCOS ($25k) + STL11000 ($9k) + Paramount ($10k).
Bottom line: abandon all hope ye who enter here - if you get hooked it's *going* to be expensive!
Suk
Edited by Suk Lee (02/21/04 05:35 PM)
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Suk Lee
Post Laureate
Reged: 10/07/03
Posts: 4534
Loc: Pleasanton, CA
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Charlie:
Well, here's my 2 bits.
First of all, safe harbor statement: everything I write is of course just my opinion, even though I might slip into expressing things as absolutes 
Additionally, comments here are specific to CCD imaging of deepsky objects, not film, particularly widefield film (where you can start for around $100), or planetary imaging.
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What are the absolute prerequisites needed to get started in terms of scopes, mounts and such - and why do you think so? At this stage, we are not discussing any camera gear at all. The point would be to identify a minimally workable telescopic platform that a person really needs to already own before considering this.
I'm going to start off assuming a blank sheet of paper - almost any combo of mount/telescope can be made to image, but I'll discuss a system that will enable somebody to quickly come up the CCD imaging curve with the lowest (relatively) investment both in terms of money and effort.
IMHO the most crucial factor equipment factor to getting successfully started is a solid stable GEM mount. Note "stable" from an astrophotography point of view which places more demands on the mount than visual work. I specifically recommend a GEM, not because of anything against fork mounted Celestrons and Meades, but because the mount becomes the basis of a complete imaging *system*, not just a specific *telescope*. If you really get into imaging, you may find you'll start to accumulate different telescopes and cameras for different imaging purposes (e.g. widefield nebulae, deepsky galaxies, etc.). Just as an SLR body is the basis for a system of lenses and accessories, a good mount will be the basis of numerous telescopes/cameras that you can build into an overall astrophotography system.
In addition to the need for mechanical robustness, the drive system for the mount needs to have smooth periodic error. Smooth but not necessarily low, because you'll be guiding or autoguiding. An autoguider can cope with a large (relatively, in astro-photo terms, say 15-20 arc-sec) amount of periodic error if the error accumulates slowly and smoothly (no jumps!). However, if the mount moves erratically, the autoguider, or you if guiding manually, will not be able to correct quickly enough.
A perk, but not a prerequisite, is GOTO. There are only so many imaging hours in a session, and not having to sky-hop to find your target is a big productivity enhancement. But, this is NOT a necessity.
Assuming you're starting with nothing the next item is, of course, the telescope. You want a mechanically solid OTA to reduce the likelihood of flexure between the camera and the OTA, and flexure in the focuser itself. You want a relatively short (500mm and up but below 1000mm) telescope because the difficulty of imaging (polar alignment, tracking, flexure) goes up dramatically with focal length. For that reason alone, despite Celestron and Meade's advertising, I don't recommend an SCT (sorry SCT fans!) as a first platform for learning CCD imaging. Newts place demands on the mount because of the long polar moment of the OTA, and since most Newts are set up for visual imaging modifications often have to be made to bring the focal plane out far enough to reach focus with a CCD camera (either a low-profile focuser or modifying the OTA to bring the mirror forward in the tube). This kind of inexorably leads to a small APO refractor as a first CCD telescope. A quality APO will be heavily built (in the case of TMBs almost over-built) with a tight focuser and rock solid OTA. Because it's an APO, there will be relatively few aberrations to deal with (field curvature being the most common one, and most APO manufacturer offer field flatteners to get rid of that problem).
Lastly, you need some way to guide or autoguide. The easiest way to autoguide is to buy a self-guiding camera, either a Starlight Express or SBIG. I think SBIG's are superior solutions because they're part of an overall system including color filter wheels, adaptive optics, and software.
If you're going to manually guide, then you need either an off-axis guider, or a guidescope. At short focal lengths, a guidescope is by far the easiest way to go because it's easy to find a guide-star. Also, you can guide directly on the object you're imaging, like a comet, which you cannot do with an OAG. The usual rule of thumb is that your guidescope needs to be at least half the length of your imaging scope. The principle here is that you apply relatively high magnification so that any wandering of your guide star can be seen well before it will blur out on your imager. Personally, I can't recommend manual guiding. Half an hour peering through an eyepiece keeping a star centered on a reticle is a LONG time. The last straw for me was manually guiding a half hour film exposure, only to find out I had forgotten to trip the shutter! Pay yer bucks for a self-guiding camera and relax in comfort.
So, some recommendations based on personal experience or the recommendations of other astrophotographers:
- Losmandy GM8: very good price/performance astrophotography capable mount, $1500. Although listed for up to 30 pounds of load (load is for the stuff you put on, NOT including the counterweights), that's for visual work - 20 pounds is about the limit for astrophotography (which is still quite a lot if you have a small APO mounted). Comes with dual drives and is auto-guider ready right out of the box. Polar scope is optional but not necessary anyway (you'll be drift aligning the mount). Can be retrofit with GOTO for another $1600 ($3100 vs $2500 if you buy the GM8 with GOTO)
- Vixen GP Deluxe on HAL110: same class as the Losmandy GM8, $1200. Price seems better, but you need to add dual axis drives and controller for an addition of 2 x $110 + $210 = $430 additional, for a grand total of $1630. NOT autoguider ready, the controller needs to be hacked in order to be able to autoguide. Can be upgraded to GOTO for $1200, which also makes the mount autoguider capable.
The next step up from these two mounts, for not much more money, but a LOT more load capacity:
- Losmandy G11: probably the best price/performance astrophotography capable mount, $2100. Good for 40~50 pounds, depending on how long the OTA is (longer means lower load capacity because of the torque the OTA will put on the mount). People have overloaded the G11 with 14" SCTs and successfully imaged, but that's the exception not the rule. Again, autoguider ready right out of the (large) boxes. This was my starter mount. Can be retrofit with GOTO for another $1600 ($3700 vs $3200 if you buy the G11 with GOTO). A lot more performance than either the GM8 or the Vixen, for not much more money. This mount gives you headroom to grow if you decide you're really hooked on astrophotography. If not, it's a terrific visual mount AND it will handle a C11 or C14 for visual work.
A possibility that has yet to be proved out is the new Vixen Sphinx GOTO mount. Supposedly in the Vixen GPDX load range, autoguider ready, but no real-world astophotography reports yet.
I don't know anything about Tak mounts, but they're highly regarded (Charles?)
On to APO OTAs:
- Televue 85: 85mm/600mm f7, $1700 OTA only. I've played with lots of these and it's a miracle of self-restraint that I don't have one. Quality optics, smooth and solid 2" focuser. Good focal length for introductory imaging, speed's a little slow but CCDs are fast. For small CCDs field curvature isn't a problem, but for larger sensors a reducer/flattener is available for $265. Great match for the GM8, G11 is overkill but will certainly be stable!
- Televue 101: 101mm/540mm (!) f5.4, $3600 package. Tons of examples of outstanding imaging with this OTA on the web. Design has a flattener built in, so the field is dead flat, and it's reasonably fast @ f5.4. Fine with GM8 or G11. Sky and Telescope reviewed on awhile ago and their optical summary came down to: perfect.
- Takahashi FC60: 60mm/355mm f5.9, $899 OTA only. A scope not much bigger than a finder??? CCD cameras are inherently small FOV devices because the sensors are small, so a short focal length will give satisfying photographs of larger DSO objects like the Lagoon nebula. Takahashi will traditionally kill you dead with their nice but expensive add-ons: camera angle adjuster (rotate the camera without losing focus) for $180, reducer for $340.
- Takahashi Sky 90: 90mm/504mm f5.6, $1900 OTA only special at Anacortes right now. Field is curved and some people complain about the amount of color for an APO. Takes the same camera angle adjuster and flattener as the FC60.
- Takahashi FSQ106: 106mm/530mm f5, $3500 OTA only. Petzval design like the TV101, so a dead flat field. Built-in camera angle adjuster, specifically designed for astrophotgraphy and can image up to 6x7cm film (with some vignetting). Due to the proximity of the rear element to the drawtube, needs special ($$$) accessories for visual use. I almost bought one of these but instead opted for the really fast Epsilon 160 astrograph (160mm/530mm f3.3 but not recommended as it's no longer easily available and is ONLY a short-focal length astrograph - but terrific for that specialized need)
- Takahashi TOA130: Charles??? 
Also recommended: BORG and TMB APOs. The Borg line of telescopes is particularly flexible as the entire system is modular, enabling you to swap finders, tubes, objectives, etc. I'd also like to recommend the Astro-Physics line of refractors, but you can't get one... (I've been on the 155 waiting list for 3 years...)
Self-guiding CCD cameras:
- Starlight Express MX cameras: my first CCD camera was a HX516 (the HX doesn't self-guide). Great starter cameras: very low dark current (a characteristic of the entire line of Starlight Express cameras which use Sony chips for that reason) which made post-processing a breeze. The design of the MX cameras use the interline capabilities of the Sony video chips, meaning that every other row in the chip is used for autoguiding. This means that alternating rows of pixels are used for imaging or autoguiding. Uniquely, that means that MX cameras (exclusively) can autoguide directly on the object you're imaging. So, they can autoguide directly on objects that aren't moving at sidereal rates: comets. The downside is that since half the pixels are being used for autoguiding, you lose half the sensitivity of the camera.
- SBIG cameras: unique (patented) dual CCD self-guiding system. Since there's a separate small CCD for autoguiding, you don't lose sensitivity. SBIG was one of the pioneers of CCD imaging and it shows - their system is well thought out and incorporates the image acquisition/guiding software into the overall solution. Their dual CCD system allows you to add the adaptive optics AO7 unit, which relieves your mount of much of the burden of tracking (meaning that you can "stretch" your existing mount). Charles, I, Florent, all use SBIG cameras.
I personally think the most flexible reasonably priced OTA/mount combo is the GM8 + TV85 for $3200. CCD/35mm capable, can do planetary imaging with PowerMates, great widefield/planetary visual instrument.
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After the absolute prerequisites, what are the most immediately useful additions to the basic telescopic equipment that a newbie to this arena could use - and why do you think so?
Books and lots of them. Read voraciously because there's now (as opposed to not that long ago) some outstanding books that will help you up the bottom of the learning curve. My personal favorites: - The New CCD Astrophotography by Ron Wodaski: GET THIS BOOK! Covers virtually every aspect of CCD image acquisition, processing, and post-processing. - Photoshop for Astrophotographers by Jerry Lodriguss (who is interestingly also a professional sports photographer): if you get into CCD imaging then you're going to be doing a LOT of image processing. While this e-book is specific to Photoshop, the techniques described are universal. - Widefield Astrophotography by Robert Reeves: while this is a film book, there's good general information at the beginning about astrophotography (setup, polar aligning, etc.)
Adobe Photoshop. While there are lots of photomanipulation products out there, Photoshop is the industry (photo and graphics industry) standard. With the advent of Photoshop CS, you can do full 16-bit manipulations of your CCD data. To really tease out the last bits of detail in your photo you need a program that can do the equivalent of Photoshop "layers". Expensive to get into ($700??), but then upgrades every couple of years are around $150. I started with Photoshop 3 and have subsequently upgraded to 4, then 6, and will soon buy CS ( Charles!)
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What are the things that would definitely preclude someone from considering this aspect of the hobby - and why do you think so? By this, I mean environmental factors such as observing site, physical impediments, temperament, and the like.
Observing site: almost anywhere. One of the benefits of CCD imaging is that since the imaging medium is linear, you can subtract out skyglow. You have to work harder to overcome skyglow than an image acquired at a dark site, but phenomenal images can be created in your back yard. An interesting contrast is that widefield film imaging is easier to acquire, but much harder to post-process to get a good looking image.
Physical impediments: um, ability to walk and chew gum? Nothing in particular I can think of. In fact, you don't have to be a particularly good visual observer, I'm certainly not.
Temperament: this is a good one. Every imaging session is a science experiment/engineering debugging session. Some of my more memorable sessions involve being outside in the dark for 4~5 hours, debugging my setup and coming inside with nothing to show for it other than some hard learned lessons. Others involve finally getting everything just so right in time for the clouds to roll in. Being analytical, meticulous, patient, is going to be necessary. Instant gratification seekers need not apply.
Technical inclination: you're going to be dealing with a LOT of computer equipment and software. When maximally configured, I'm running a camera connection, a mount connection, and a separate autoguider connection, all via a USB hub sitting outside, over repeater USB cables to my computer inside. If you're computer phobic, do something else.
To me, astrophotography is closer to photography than visual astronomy. As you get obsessed with it, you spend less and less time actually looking through your telescope(s). I suspect my interest in astrophotography stems from a childhood interest is photography. It's an interesting mental shift from visual astronomy to astrophotography. When I was just visual, I had that "favorite prized scope". As I migrated to astrophotography my prized scope became a just another tool for attaching cameras to.
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What are the kinds of things that a person interested in exploring this aspect of the hobby must/should know (or learn) before they should consider investing any hard earned cash on "serious" astronomical camera gear - and why do you think so?
It's a long learning curve. Read a ton. Try as often as possible. Start small before committing to really big expenditures.
Consider what kind of images you want to take. Do you want to take expansive vistas of shimmering skies? Go with film or get a digital SLR. That much imaging sensor in an astro CCD camera is going to be serious bucks. Do you want to take detailed galaxy images? You virtually MUST buy an SBIG camera. The reason here is that at the long focal lengths (2500mm and up, 8" aperture and up) necessary, you want a self-guiding camera in order to eliminate flexure and mirror-flop problems. Starlight Express also makes self-guiding cameras, but they use a different scheme (SBIG has a patent on the dual CCD self-guiding concept) which means you have to image TWICE as long. Tough on galaxies.
I don't recommend one-shot color cameras for the reason that they're not as flexible as monochrome cameras. If you want to get into narrowband imaging (e.g. H-alpha, OIII, SII) a one-shot color camera will lose a lot of sensitivity compared to a monochrome camera.
Consider whether you want an ABG (anti-blooming gate) or NABG (non anti-blooming gate). If you're interested in photometry, you MUST buy an NABG camera, as an ABG camera becomes non-linear above about half of its well capacity. An ABG camera isn't as sensitive (though they're getting closer with things like on-chip micro-lenses) as an NABG camera, but is easier to use because you don't have to get rid of blooming spikes.
Consider pixel size. If you pick a camera with large pixels e.g. 24 microns, then you're pretty well limited to long focal lengths (stars will come out blocky looking if you have large pixels and short focal length). Small pixels means you can use short focal lengths, and bin 2x2 or 3x3 when you go to longer focal lengths. I think small pixels are better for a starter camera.
If you want to make "pretty pictures" with your starter APO/mount, but think you'll eventually want to do galaxy imaging, I really recommend an SBIG ABG camera with small pixels.
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How does a person maximize their buying dollar vs. capability when the time comes to purchase an astronomical CCD camera setup - and why do you think so? This question is similar to the first, except that now we're talking about the absolute minimum (entry level) setup required to generate images approaching or equalling those we've seen from Charles, Suk, Oldfield and others. It might be helpful to wait until we're at this stage to discuss the actual cost of this gear.
We're getting comparable images with vastly different gear. For example, Florent produced some really wonderful images of the Horsehead with a William Optics refractor on a Losmandy Titan mount and an ST10, while I used an Epsilon 160 reflector on an AP900 and ST2000 to capture a similar view (but not as smooth ). About the only commonality is that we've each probably got around a minimum of $15k sunk into our rigs.
I don't really understand the question of "maximize their buying dollar vs. capability ". If maximizing means most flexible in terms of widefield to medium deep-sky, then a 150mm or so refractor is probably your best bet. If maximizing means highest capability for a given niche e.g. galaxy imaging, then you want a large aperture reflector in order to get a lot of focal length at decent photographic speed. Both are going to put demands on your mount, so you're going to need a beefy one.
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Similarly, the next question would be what are the most immediately useful additions that a newbie imager should consider in order to improve their work - and why do you think so?
"The New CCD Astrophotography" and "Photoshop for Astrophotographers". IMHO these two books are perfect complements and everything you need.
SGBNR noise reduction software (free and outstanding software from http://www.jubema.com/pleiades-astrophoto/software/en.html) is a terrific program for getting rid of noise in your pictures.
A robotic focuser: you have to move the focuser microns at a time - you WILL be miserable as you try to find focus (which is the absolute hardest part of CCD imaging to learn) manually, particularly if you buy a fast refractor. More complexity to deal with, but at least your pictures will be in focus! Robofocus = $400.
Make a Hartmann mask (free if you have cardboard in your house) to make focussing easier.
USB repeater cables so you can run your computer from inside your warm kitchen instead of either freezing to death outside or constantly running in and out to check if your images are OK.
Well, there's my $0.02 (more like a buck-and-a-half)
Cheers! Suk
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Mike Sandy
Pooh-Bah
Reged: 08/29/03
Posts: 1122
Loc: SF Bay Area, CA
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Charlie:
Let me agree with Charles and Suk - Great topic! You could write a book on the subject......in fact someone has. Ron Wodaski's book " The New CCD Astronomy" covers many (or most) of these points, and gives a good explanation of how software, equipment, and processes work and tie together for folks new to the game. I recommend it to folks asking the question you did. It was a big help when I was getting started.
That being said, I'll bet there are many individual and differing opinions to be offered in response to your question. I think I'll join the crowd and take some time to respond more completely. I look forward to the discussion!
Thanks for bringing it up.
-------------------- Mike Sandy
http://www.DarkSights.com
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Mike Sandy
Pooh-Bah
Reged: 08/29/03
Posts: 1122
Loc: SF Bay Area, CA
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Wow Suk......I guess I don't need to respond - you said eveything I would have, and did it better than I would have been able to do. Well done!
We need to get together and meet face to face - if this weather ever opens up. I've just got my system up and running again (set up in my garage right now) after several weeks, or maybe months now, of updating. I even added a C9.25 to the mix as a visual toy.
-------------------- Mike Sandy
http://www.DarkSights.com
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Anonymous
Unregistered
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Wow. Bookmarked in case I win a lottery. Thanks, Suk.
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DaveC
Pooh-Bah
Reged: 11/27/03
Posts: 1316
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I am NO expert, to be honest 2 months ago I didnt have a clue. And im paying for it today. Therefor I think a newbies perspective can be valuable to this post to illustrate the mistakes ive made so others might avoid them.
My equipment, excluding them camera, is about as bad a setup for astro-imaging as can be had. My scope is achromat wide field refractor whos primary goal in life is to turn all colors purple! (aka chromatic aberration). my mount is an eq-3 that wobbles more than a old lady crossing the road. my drives are cheap stepper motors connected to the drive shaft via a plastic wound spring to dampen motion.
the point im making here is that in the beginning i had purchased a set of gear before i learned what was really important. im learning to make due with what i have, but the money i spent on this equipment is money down the drain. so the number one lesson ive learned is....
research, research, and more research.
but all hope is not lost for the beginner who has purchased less than optimal gear. theoretically based on suks very excellent advice i should be in a pretty much hopeless situation (suk in no way is this meant as a negative). but i have learned that it is possible to get some "barely decent" images IF you do the following...
learn your gear as intimately as you know your own hand. improve every possible part of that gear by taking it apart, cleaning, regreasing, etc etc.
learn advanced image manipulation techniques and photoshop tricks. youll be spending ALOT of time tweaking the poor images into ok ones.
take a zillion shots and cull only the very best. heres an example. i took 150 shots of orion and out of that WAY over half of the images were immediatly trashed. the remaning images were then scruntinized and only the very best were used in the final image.
learn drift alignment! get that crappy mount as perfectly aligned as possible.
get a guidescope and practice practice practice your manual guiding skills. youll need it to help over come a crappy mount.
heres one last final thought....
although i have learned that with less than optimal gear i can take images, if i had done it right the first time it would be a heck of alot easier =).
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Ricky
Carpal Tunnel
Reged: 09/09/03
Posts: 2556
Loc: Nor Cal
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Here's my take: Even if you spend $$$$$ to get the "right" equipment it takes more than that to get good images. It takes patience and time to climb up the learning curve. Someone just getting into imaging is not gonna get it right right away. Ive been trying for the last few months and im still trying to figure it out. Imaging is an on going learning experience and there's always something new to learn. Experiment and be patient...its as much as a minimum prerequisite to getting good images as having a stable mount.
Best Regards, Ricky
-------------------- Regards Ricky
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MN61, TS65EDQ, Mini Borg 50
Orion Sirius Heq5, Antares PED30
Phillips TouCam Pro II, DFK21au618.as, Atik 16
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Charlie Hein
Postmaster
Reged: 11/02/03
Posts: 11211
Loc: 26.06.08N, +80.23.08W
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Wow, Suk! 
I didn't expect such a great reply so fast! There is just a *ton* of information in that little "brain dump" of yours... I want to read it over a couple of times so that when I ask a question, it's a smart one, or if I seek clarification, I'm not asking you to repeat yourself!
Great job! Now I need to sit and digest it for a while...
Charlie
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Charlie Hein
Postmaster
Reged: 11/02/03
Posts: 11211
Loc: 26.06.08N, +80.23.08W
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Quote:
Let me think about it and I'll try and put together something in the next couple of weeks.
Fair enough... I know that if you decide to take this on, your input will be very informative.
I'm thinking that there are two types that would benefit the most from a discussion like this: those who have exhausted what they can do with their webcams and similar gear, and are curious about what it takes to "step up tp the next level", and those who already have silently started out, but are getting hung up in the learning curve. I know for certain that a dose of someone else's real life experience can bring you right over a "hump".
Personally, I find the topic fascinating, even though at present, I figure I still have a lot to learn about astronomy in general. I think that there's a third tier of users who are in the same boat as I am.
The rest of `em... who cares about the rest of `em? 
Charlie
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Anonymous
Unregistered
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Quote:
A possibility that has yet to be proved out is the new Vixen Sphinx GOTO mount. Supposedly in the Vixen GPDX load range, autoguider ready, but no real-world astophotography reports yet.
As far as I know, it's mechanically comparable to the GP and not the GP-DX. Also I've been told the firmware does not support autoguider input yet. There are rumors of a Sphinx DX in the works too, but no solid info that I could find.
The Sphinx is Vixen's attempt to compete with Synta. By discontinuing the SkySensor 2000 and replacing it with a mount with integrated electronics, they made sure users couldn't buy the SkySensor and slap it onto a Synta mount. At least that's what a Vixen rep told me at a recent event.
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Ralph McIntosh
scholastic sledgehammer
Reged: 11/26/03
Posts: 908
Loc: Hanau/Germany
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Here my 2 Cents for this discussion. With most Suk said I agree. But in the question about the scope i differ in my opinion.
A beginner will spend enough time to set up his equipment right and will go through several trouble in imaging. (wind, hitting the mount, bad polare alignment...) Some of the probs can be reduced if you use highspeed scopes. And some of them are build fort astro-photography use. With the benefit of opening!
Takahashi: Epsilon 160 (160mm F3.3, build in cromacorr) Vixen: NT 200(RS200SS) (8” F4 build in comacorr) GSO: GSN 200 (8” F4, + cromacorr from Celsestron) (In USA may be labelled as an Orion scope)
Ranking according price, highest Takahashi.
Takahashi brings in very gut build quality but has its price. Vixen is known for gut build quality. The draw tube could be a bit better. GSO has same optical quality as Vixen performers. But the build quality of the draw tube is worse. But spend some additional work to optimise the draw tube and it works much better. I use a GSO as I can handle its less build quality but it offers my good photography results.
A word to cameras: As DSLR’s lost lots in price they became the bridge between analogue cameras and astro CCD’s. Canons 10D ore 300D got some lack in H-Alpha light sensitivity. But compared to analogue cameras you will get much easier good results as you can control you image right after you shot it. I would say it takes years to go to the edge of an 10D performance. An when you reach it, its time to climb the ladder for a astro CCD camera. And in my opinion, it should be a SBIG one. But till then you got plenty of time to learn to handle your scope, learn how to edit you images... (if money is not a problem, start directly with a astro CCD camera system)
I started one year ago with astro-photography. I did not own any piece of astro equipment. As a amateur photographer I owned a Canon D60 (later replaced by a 10D) And now, one year later I can say that I start to get descent images out of my camera. A half a year ago lots of people said you couldn’t get a descent horsehead image out of a DSLR, but nowadays with much more experience in handling of the camera and the way how to edit such mages ist no problem.
Ralph
-------------------- http://home.arcor.de/ralph.mcintosh/
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Suk Lee
Post Laureate
Reged: 10/07/03
Posts: 4534
Loc: Pleasanton, CA
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Quote:
As far as I know, it's mechanically comparable to the GP and not the GP-DX. Also I've been told the firmware does not support autoguider input yet. There are rumors of a Sphinx DX in the works too, but no solid info that I could find.
The Sphinx is Vixen's attempt to compete with Synta. By discontinuing the SkySensor 2000 and replacing it with a mount with integrated electronics, they made sure users couldn't buy the SkySensor and slap it onto a Synta mount. At least that's what a Vixen rep told me at a recent event.
Ken:
Thanks for the correction.
Suk
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Ralph McIntosh
scholastic sledgehammer
Reged: 11/26/03
Posts: 908
Loc: Hanau/Germany
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We got the info over here that the Sphinx mount is comparable to the GP-DX mount (thats what all the stores claim).
Al loads (photography) are the same as the former GP-DX. Still no one to show deepsky photos yet.
Ralph
-------------------- http://home.arcor.de/ralph.mcintosh/
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Oldfield
Postmaster
Reged: 03/20/02
Posts: 6310
Loc: Hong Kong
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My friend has got a Sphinx and he's extremely pleased with it, that said, he has a Gemini mount, he has a Vixen New Atlux, and he has used so many mounts from Takahashi, Astrophysics, Losmandy, etc..
After he used it several times, he told me, "Oldfield, you should buy a Sphinx"... Accurate, quiet, strong, equal if not better than a GP-DX, clever design makes it very portable, like only a 1.9kg weight is needed to balance a 4" f/10 refractor OTA...
Still thinking... :P
-------------------- The Home Astronomer from a city where most people are proud of the light pollution
Toys: Tele Vue Ranger, GOTO Mark-X, Lumenera LU070M, Canon 10x30 IS...
My observation log and ideas My General Blog
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Suk Lee
Post Laureate
Reged: 10/07/03
Posts: 4534
Loc: Pleasanton, CA
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We suggest you, uh, "borrow" it.
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Paulimer
member
Reged: 08/08/03
Posts: 83
Loc: Hong Kong
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This is such a topic! Suk's given everything I could think of already... And actually I have a few personal thoughts to share.
I never tried real CCD imaging because simply 2 reasons:
1) Tight(no) budget for all those cameras and autoguiders and autoguiding capable mounts (because I'm still a college student )
2) No where to shoot as a city dweller. A few friends and I will usually take public transport to a country side where there is no power supply (no water, no toilet, no hot chocolate...), and we really can't take all those cables and stuffs to shoot there. And again, lack of $$$ for an observation site.
So I'm pretty satisfied with my current "able-to-dos", like planetery imaging by ToUcam, Lunar imaging by digital camera, and deepsky photography by film (yeah like what Suk told us, staring at a reticle for 45min isn't remotely comfortable)
-------------------- The sky is like a fantasy: http://paulimer.sinastarz.com/
My astroblog: http://astropaul.blogspot.com/
Celstron 5" SCT
Vixen 4" F10 Newtonian
Mizar NewAR
Takahashi Sky90
GSO 8“RC
Takahashi EM11 USD3
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Oldfield
Postmaster
Reged: 03/20/02
Posts: 6310
Loc: Hong Kong
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DSLR seems to be more viable in hong kong.
-------------------- The Home Astronomer from a city where most people are proud of the light pollution
Toys: Tele Vue Ranger, GOTO Mark-X, Lumenera LU070M, Canon 10x30 IS...
My observation log and ideas My General Blog
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Blueshark928
Carpal Tunnel
Reged: 02/19/04
Posts: 2853
Loc: Crownsville, MD
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I dont recall seeing any mention of the computer. Right now i have a good desktop 2.54 gHz P4, but my laptop is woefully inadequeate. My wife gave me her old old Metrobook 350 gHz Celeron. It drives the webcams just fine, but it drops frames like a bad habit during recording. Its only practical use is target aquistion and ruining my night vision.
So my question is, what is the mimimum processor type and clock speed i can get away with for AVI and CCD image recording and image processing. I dont wish to spend more that 1000-1200 bucks on a new laptop. Used off ebay would be ok, but i would really prefer to buy all my computer gear new.
Great topic
BTW - I have spend close to 700 bucks in the last month, just to get better images with a webcam, and in that month my images have improved 100 percent. So the money thing is true. As is the reserch aspect too. I spend all my free time finding out as much as i can from the miriad of websites out there and reprocessing images over and over in a effort to learn the software. Good thing my wife approves. She says it keeps me off the streets.
Thanks in advance
-------------------- John
SV-102APO
SV-80/9d
Losmandy G11
HX-916
Edited by Blueshark928 (02/24/04 08:07 AM)
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