Tamiji Homma
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ES14 v.s. Ethos 13
#3077082 - 04/30/09 01:45 PM
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Hi, all.
Daniel forwarded me URL to his writeups about ES14 and Ethos 13.
Here you go... http://danielmounsey.com/?p=40
Enjoy.
Tammy
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t.r.
Post Laureate
   
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Loc: Upstate NY
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Re: ES14 v.s. Ethos 13
[Re: Tamiji Homma]
#3077098 - 04/30/09 01:52 PM
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Tammy, Do you have a link to the 5" refractor shoot-out as well?
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Tamiji Homma
Carpal Tunnel
   
Reged: 02/24/07
Loc: California, USA
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Re: ES14 v.s. Ethos 13
[Re: t.r.]
#3077121 - 04/30/09 02:03 PM
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No, I don't.
I am not sure he finished writing it  I missed Tuesday star party so I didn't have a chance to ask.
Tammy
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: Tamiji Homma]
#3077128 - 04/30/09 02:07 PM
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Thanks Tammy, that was an interesting read.
A few things I happened to notice:
In one sentence Daniel apparently equates field flatness with pincushion, rather than a curved field. This is a rather curious misstatement. I think he may want to either rephrase or brush up on his understanding of rectilinear distortion a bit. I agree that rectilinear distortion is much easier to spot in the daytime because of the preponderance of straight line daytime targets - trees, cars, fences, etc, but I'm not aware of any method by which it would actually be reduced at night - however, it would be far, far less noticeable.
As an aside while checking his statement on pincushion in the ES14 I'll note that I felt there was a more pincushion in the ES than the Ethos (so much that it got me wondering just how similar or dissimilar the designs actually are), but I was looking through it during the day at NEAF and I didn't have an Ethos immediately at hand.
I also think he's misidentifying kidney beaning. He might want to take a closer look at the difference between spherical aberration of the exit pupil and blackouts caused by improper eye placement. Given the fact that he's not complained about kidney beaning during the day, I suspect he's actually vignetting the exit pupil by improper eye placement.
Another thing I read with interest was, as Daniel noted, this is still a production sample, not an actual shipped product. I've seen areas where the two ultimately differed in significant ways (both good and bad). It will be interesting to see if there are any differences in the first production batch.
Finally, I also think he should have tested them in fast flat field scopes - something like the NP127, NP101 or an FSQ - from a design standpoint those present, quite possibly the cleanest fields to the focal plane of any scope around and are the best way to separate scope aberrations from eyepiece aberrations. In determining field curvature for example, it could be critical. One eyepiece may have the same direction of curvature as the telescope and have an additive effect, and the other may curve against the telescope's field (subtractive) and actually serve to help correct it.
Overall, an entertaining read - thank you for posting it on the forums, and thanks to Daniel for writing it up. I'm looking forward to hearing more reports from other observers and actually seeing one myself at some point.
T
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t.r.
Post Laureate
   
Reged: 02/14/08
Loc: Upstate NY
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Re: ES14 v.s. Ethos 13
[Re: Tamiji Homma]
#3077131 - 04/30/09 02:08 PM
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Thanks, and keep us informed on that...Good read on the ES14!
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: t.r.]
#3077141 - 04/30/09 02:12 PM
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I was also wondering - did he say how many nights he compared them over? I think I missed that.
And BTW - is there an actual way to leave comments about the post over on his blog? I saw something that said "Leave a comment", but couldn't find an actual way to do it.
I'm feeling a bit old and slow today.
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Jim7728
Postmaster
   
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Re: ES14 v.s. Ethos 13
[Re: Tamiji Homma]
#3077144 - 04/30/09 02:14 PM
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Great review!
Going on memory when I attended NEAF, I thought the ES14 was a little more sensitive to eye placement for daytime viewing than the 13mm Ethos. YMMV.
That said, if I did not already own a 13mm Ethos, I'd maybe buying the 14ES.
Edited by Jim7728 (04/30/09 02:19 PM)
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mandotrout
sage
   
Reged: 01/25/09
Loc: Montana, USA
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Re: ES14 v.s. Ethos 13
[Re: Tamiji Homma]
#3077177 - 04/30/09 02:27 PM
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Can you actually BUY an ES ep now, or are they still just "coming soon"?
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hfjacinto
I think he's got it!
   
Reged: 01/12/09
Loc: Land of clouds and LP
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Re: ES14 v.s. Ethos 13
[Re: Jim7728]
#3077180 - 04/30/09 02:29 PM
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Great review. If I only had $400 and if I needed a 14 MM. Now if ES comes out with 8 to 10 MM EP and I can convice the CFO that this is a need, I am getting one.
BTW Anyone want to take bets on how long it will take this post to get locked?
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Tamiji Homma
Carpal Tunnel
   
Reged: 02/24/07
Loc: California, USA
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3077182 - 04/30/09 02:29 PM
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Quote:
BTW - is there an actual way to leave comments about the post over on his blog? I saw something that said "Leave a comment", but couldn't find an actual way to do it.
Hi Tom,
I was able to leave comment. You might want to try again  You need to fill name and email address to post, I think.
Tammy
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hfjacinto
I think he's got it!
   
Reged: 01/12/09
Loc: Land of clouds and LP
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Re: ES14 v.s. Ethos 13
[Re: Jim7728]
#3077185 - 04/30/09 02:30 PM
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Quote:
Great review! Going on memory when I attended NEAF, I thought the ES14 was a little more sensitive to eye placement for daytime viewing than the 13mm Ethos. YMMV.
That said, if I did not already own a 13mm Ethos, I'd maybe buying the 14ES.
I think it was sensitive because they kept dunking it and not cleaning it correclty.
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: Tamiji Homma]
#3077186 - 04/30/09 02:31 PM
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Thanks Tammy, I'll look again.
I'm blind, it's at the bottom of the article, big as day.
T
Edited by Tom Trusock (04/30/09 02:34 PM)
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: hfjacinto]
#3077199 - 04/30/09 02:36 PM
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Quote:
Quote:
Great review!
Going on memory when I attended NEAF, I thought the ES14 was a little more sensitive to eye placement for daytime viewing than the 13mm Ethos. YMMV.
That said, if I did not already own a 13mm Ethos, I'd maybe buying the 14ES.
I think it was sensitive because they kept dunking it and not cleaning it correclty.
That might well explain a few other things, but I'm not sure how it would affect sensitivity to eye placement.
Edited by Tom Trusock (04/30/09 04:50 PM)
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feng
journeyman
Reged: 03/19/09
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3077434 - 04/30/09 04:49 PM
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“While viewing the Moon in either telescope, I did notice a small reflection caused by light reflecting off my own eyes on top of the 14mm ES that was not at all visible while using the 13mm Ethos.”
I can see the same reflection on my 3.5t6 while viewing the moon.
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zjc26138
Loved By All
   
Reged: 02/24/05
Loc: Mingo Junction, Ohio
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Re: ES14 v.s. Ethos 13
[Re: feng]
#3077502 - 04/30/09 05:28 PM
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Great review Daniel, and thanks for posting it Tammy!
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Teal'c
Indeed
   
Reged: 08/02/05
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Re: ES14 v.s. Ethos 13
[Re: zjc26138]
#3077526 - 04/30/09 05:42 PM
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What the heck...for $399.00, I got on the list a while ago.
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Lawrence Sayre
Abbe Normal
   
Reged: 10/16/04
Loc: N.E. Ohio
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Re: ES14 v.s. Ethos 13
[Re: Teal'c]
#3077566 - 04/30/09 06:03 PM
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Daniel, that was a fantastic review! It's got me drooling for a 14mm ES. The only thing holding me back from purchasing one is my support for my three children (OK, young adults) in college at the same time.
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Daniel Mounsey
Vendor - Vixen Optics
   
Reged: 06/12/02
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3078090 - 04/30/09 10:59 PM
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Tom,
I agree with your statement. Field curvature usually causes the issues discussed rather than pincushion and I added some clarification regarding my statement "per your comments", so there were less misunderstandings. The problem is that when I moved the eyepiece left and right to check for either aberration, there was unquestionably a tad more pincushion in the 13 Ethos and so it's difficult to say for sure what it could be. I do agree with you though and was totally baffled and although what I said may not make sense, not everything may pan out the way the books say they should. I've seen other instances where the technical stats didn't add up either because of how certain eyepieces behave in different scopes. Yes, you can see rectilinear at night if you know what to look for but there's just nothing straight to relate it to while viewing stars. I'll explain my issue regarding kidney bean shortly.
Sorry so late Tom, Here are some comments from Mike Hosea's essay below.
"There's also a condition called "spherical aberration of the exit pupil", which isn't really spherical aberration at all. I guess it's just that the cross-sectional diagrams you might draw to show it are reminiscent of diagrams depicting longitudinal spherical aberration from a spherical mirror. When this problem is present it can be difficult to see the edge of field without losing some of the middle of the field in a kidney bean shaped blackout area. When you pull back a little the center is then clean, but the edges can't be seen because the eye isn't close enough to the eyepiece. I hasten to add that just because you have some problems with blackouts doesn't mean there is spherical aberration of the exit pupil. In most cases you simply need to take the care to center the eye over the exit pupil. This is especially true when there is an abundance of eye relief. Furthermore, even if there is some spherical aberration of the exit pupil, it isn't a sharpness issue, and it isn't any problem at all if you don't have any problem avoiding blackouts with your normal usage. Often it is only an obtrusive problem for daytime, terrestrial and lunar observation. The discussion above has pretty much assumed that the telescope per se is not contributing anything in the way of aberrations"
Edited by Daniel Mounsey (05/01/09 09:30 AM)
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Daniel Mounsey
Vendor - Vixen Optics
   
Reged: 06/12/02
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Re: ES14 v.s. Ethos 13
[Re: Lawrence Sayre]
#3078099 - 04/30/09 11:06 PM
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Quote:
Daniel, that was a fantastic review! It's got me drooling for a 14mm ES. The only thing holding me back from purchasing one is my support for my three children (OK, young adults) in college at the same time.
Lawrence, thank you. I also got your PM and I will check the focus and get back to you. I really liked the question you raised about where the focus point is for each eyepiece and I completely forgot to add that to my review. I will be sure to check that. There's always something to learn about enhancing a review.
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Daniel Mounsey
Vendor - Vixen Optics
   
Reged: 06/12/02
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3078115 - 04/30/09 11:18 PM
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Quote:
I was also wondering - did he say how many nights he compared them over? I think I missed that.
And BTW - is there an actual way to leave comments about the post over on his blog? I saw something that said "Leave a comment", but couldn't find an actual way to do it.
I'm feeling a bit old and slow today.
We did two sessions with two prototypes and another session with the production model. Yes, you can leave a comment at the bottom of each review.
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Jim Romanski
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Re: ES14 v.s. Ethos 13
[Re: Daniel Mounsey]
#3078809 - 05/01/09 11:13 AM
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With regard to field curvature, you don't mention what kind of scope the 80mm refractor is. I have come to be skeptical of field curvature claims unless I read that said eyepiece was tested in a flat field scope such as the NP101/NP127 or other scope with a field flatener.
I also wish you would spare us the discussion of your distaste for the barrel undercut. It's been done and over done here. All the Televue eyepieces have it so it's really not relevant to the comparison and I found the discussion distracting. I know many people don't like it but some of us in the minority think it's a great idea. In fact I would argue that it's more useful as an eyepiece safety feature than the additional 21% Nitrogen in the ES eyepiece. You just have to remember to loosen the thumbscrew more with compression rings to clear it.
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: Daniel Mounsey]
#3079075 - 05/01/09 01:35 PM
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Tom,
I agree with your statement. Field curvature usually causes the issues discussed rather than pincushion and I added some clarification regarding my statement "per your comments", so there were less misunderstandings. The problem is that when I moved the eyepiece left and right to check for either aberration, there was unquestionably a tad more pincushion in the 13 Ethos and so it's difficult to say for sure what it could be. I do agree with you though and was totally baffled and although what I said may not make sense, not everything may pan out the way the books say they should.
In a private conversation this morning, a buddy and I were discussing the fact that - "Science does Work" - and modern life is kinda based on that. In other words, things DO work out like they are in the books, and observations can be explained if you know the basics of how the image is formed, and what's involved in a particular observation. If one's statements run contrary to the laws of optics, then it's most likely one's statements, testing and or understanding that must be revisited rather than the science. I know that's been true for me.
You make a statement about more rectilinear distortion in the ES, and more pincushion in the ethos. There's a problem with that statement. Pincushion is a subset of rectilinear distortion. Did you mean you found the ES to have more barrel distortion than the Ethos had pincushion? Did you really mean another type of distortion altogether - angular magnification distortion perhaps? Can you clarify your statements a bit? What do you mean by you moved the eyepiece left and right? In the scope? Changed viewing position?
Additionally, I also noted you made comments about coatings correcting for the warm hue - personally I think it's most likely more due to design and glass type. FWIW, I confirmed with Tele Vue that they use the same coating technology on all of their current eyepiece lines from Plossls to Ethos.
Quote:
I've seen other instances where the technical stats didn't add up either because of how certain eyepieces behave in different scopes.
Not sure what you mean by technical stats, but yes - obviously eyepieces do work differently in different telescopes. For example if you have a scope that presents a curved field and an eyepiece that has a curved field, those fields can either be additive (resulting in a greater focus shift from center to edge) or subtractive (resulting in better uniformity of focus across the field). This is a reason - if you want to be splitting hairs about eyepiece performance (as opposed to eyepiece/telescope performance) testing in a flat field scope is so critically important.
Quote:
Yes, you can see rectilinear at night if you know what to look for but there's just nothing straight to relate it to while viewing stars. I'll explain my issue regarding kidney bean shortly.
The easiest way to see rectilinear at night is to pan the telescope while looking through the eyepiece. If the stars follow straight lines across the field - edge to edge and seem to get closer together as they near the edge of the field- then rectilinear distortion is well corrected. If they travel in arcs moving outward, then there is pincushion. Be aware, there is some natural pincushion resulting from angular magnification correction that preserves the relative distance between stars at any point in the field, one option for the designer of astronomical eyepieces is to leave this in place so the majority of the field is well corrected. I've heard that some binocular eyepieces correct for rectilinear so that telephone poles look straight, however they get closer together at the edge of the field. This is the barrel distortion that seems to squeeze planet shapes near the edge of the field. Because I don't tend to observe at the extreme edge of field I’ll trade some of this residual pincushion for straight lines - and preservation of a cluster’s look as it crosses the field in an undriven scope - any day. But that's my preference. Some designs reflect that, others make other compromises. From what I've seen, design is an exercise in trade-offs.
It's easier to check for certain aberrations during the day as they stand out then - however, one should always remember that these are astronomical eyepieces and take night time usage as the primary indicator of their performance.
The term "Kidney Bean" used properly, describes spherical aberration of the exit pupil. The kidney bean blackout occurs when your eye’s pupil is too small and vignettes some of the rays that form the exit pupil. This causes a kidney bean shaped area to blackout and moves as your eye moves forward and back from the exit pupil. This is different from the typical blackout that amateurs complain of and frequently incorrectly label kidney bean. FWIW, from your description, it appears to me that you're vignetting the edges of the exit pupil by not having your eye in the proper position. If you are too close to the eyepiece and “inside” the exit pupil this will also cause blackouts, but they aren't the same thing as true kidney beaning. Typical, true, kidney bean in an eyepiece is most obvious in the daytime because of the smaller size of your pupils, and the fact you're seeing the blackout against a bright (as opposed to dark) background. The reason I don't think you're seeing actual kidney beaning is because you didn’t mention it in your daytime observing report - only on deep sky observing (when your pupil is largest).
FWIW, there is a lot of good information about various aberrations including distortion in Telescope Optics by Rutten & Van Venrooij.
T
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j3ffr0
Pooh-Bah
   
Reged: 07/06/08
Loc: Virginia
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Re: ES14 v.s. Ethos 13
[Re: Jim Romanski]
#3079087 - 05/01/09 01:42 PM
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I think the barrel undercut is worth mentioning. I'm glad there is a manufacturer who is willing to listen to give the majority of observers on this one. All things being equal, me and my focuser would certainly prefer smooth side EPs.
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Jim Romanski
Carpal Tunnel
   
Reged: 01/02/05
Loc: Guilford, Connecticut
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Re: ES14 v.s. Ethos 13
[Re: j3ffr0]
#3079399 - 05/01/09 04:30 PM
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Quote:
I think the barrel undercut is worth mentioning. I'm glad there is a manufacturer who is willing to listen to give the majority of observers on this one. All things being equal, me and my focuser would certainly prefer smooth side EPs.
I'm fine with it being mentioned and that many prefer it. I just think that given all the posts on CN complaining about it that it's really a seperate issue. I thought that the write-up spent more time on this than I wanted to hear. I can see that one is undercut and the other isn't and I know what that means. I want to hear more about what I don't know, namely how are the views through them.
BTW, I remember vividly many years ago seeing a 13mm Nagler T1 slide out of a focuser and bounce on the ground. The guy thought he had the thumbscrew tight enough but it slid out. 
It wouldn't have happened with an undercut.
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Daniel Mounsey
Vendor - Vixen Optics
   
Reged: 06/12/02
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Re: ES14 v.s. Ethos 13 *DELETED*
[Re: Jim Romanski]
#3079699 - 05/01/09 07:12 PM
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Daniel Mounsey
Vendor - Vixen Optics
   
Reged: 06/12/02
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Re: ES14 v.s. Ethos 13 *DELETED*
[Re: Tom Trusock]
#3079724 - 05/01/09 07:25 PM
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Jim Romanski
Carpal Tunnel
   
Reged: 01/02/05
Loc: Guilford, Connecticut
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Re: ES14 v.s. Ethos 13
[Re: Daniel Mounsey]
#3079830 - 05/01/09 08:27 PM
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Quote:
Quote:
With regard to field curvature, you don't mention what kind of scope the 80mm refractor is. I have come to be skeptical of field curvature claims unless I read that said eyepiece was tested in a flat field scope such as the NP101/NP127 or other scope with a field flatener.
What field curvature did I say I saw, please correct me if I am in error? I basically advocated what appeared to be a tad more rectilinear distortion in the 14ES and a bit more pincushion in the 13 Ethos. It doesn't mean that it's a fact as some observers claim they see aberrations others don't. Many observers claim that the Pentax 20XW has a lot of field curvature, yet I personally don't find it obtrusive at all in fact I see considerably more pincushion in my 22 Panoptic than there is, field curvature in a 20XW.
I think you're confusing field curvature which is a distortion in the vertical plane with rectilinear distortion of which pincushion is one type that are in the horizontal plane. You see field curvature when an eyepiece focuses in the middle but not on the edges. Then if you refocus the edges and the center is out of focus...that's what field curvature is. It means that the focus point is different in the center of the field vs. the edges.
Quote:
I also wish you would spare us the discussion of your distaste for the barrel undercut. It's been done and over done here. All the Televue eyepieces have it so it's really not relevant to the comparison and I found the discussion distracting. I know many people don't like it but some of us in the minority think it's a great idea. In fact I would argue that it's more useful as an eyepiece safety feature than the additional 21% Nitrogen in the ES eyepiece. You just have to remember to loosen the thumbscrew more with compression rings to clear it.
Quote:
You sound a bit upset. I'll try and take it easy on the barrels for you.
Thank you for your concern over how I feel but I was just trying to make a point that what most of us are interested to read about in this comparison is the optical differences. A passing reference about how you prefer the smooth barrel of the ES to the undercut of the TV would have been sufficient...in my opinion. I'll go easier on you next time with my critque.
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: Daniel Mounsey]
#3080037 - 05/01/09 10:43 PM
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Quote:
I basically advocated what appeared to be a tad more rectilinear distortion in the 14ES and a bit more pincushion in the 13 Ethos.
Daniel,
Pincushion *is* a type of rectilinear distortion.
And in regards to your earlier quote of my statement - you are most certainly entitled to your opinion. However, optical definitions aren't really a matter of opinion.
T
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OuterSpaced
sage
   
Reged: 01/28/07
Loc: Mississippi Gulf Coast
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3080357 - 05/02/09 03:21 AM
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Post deleted by BCB for TOS violation
Edited by BCB (05/02/09 06:25 AM)
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Daniel Mounsey
Vendor - Vixen Optics
   
Reged: 06/12/02
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3080395 - 05/02/09 04:58 AM
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Quote:
Quote:
I basically advocated what appeared to be a tad more rectilinear distortion in the 14ES and a bit more pincushion in the 13 Ethos.
Daniel,
Pincushion *is* a type of rectilinear distortion.
And in regards to your earlier quote of my statement - you are most certainly entitled to your opinion. However, optical definitions aren't really a matter of opinion.
T
I realize this statement sounds like a contradiction. I was merely indicating that while viewing an object (a particular tree in fact) during the day near the edge of field in each eyepiece, that the 14ES appeared a tad less straight than the Ethos, but once again and as I stated in my review, it was very subtle. I simply related that to rectilinear distortion because the term is usually related to straight lines seen during the day while pincushion is something we relate to more often during the night when stars appear pinched along the center. Are they the same thing? I suppose, but they are still two different terms and if they ARE exactly the same thing, then why bother to give them two different terms? I applied them both.
Regardless and Ironically, the center of the field still seemed more pinched along its "center" more so in the 13 Ethos during the night while viewing the stars, while the 14mm ES appeared more uniform, flatter or corrected along most of the field of view and everyone agreed, myself included.
In your defense, perhaps that part of the review is a bit vague and should be more clearly stated, but remember that these eyepieces have huge fields of view and a lot can happen in that field. You can't just lay optical laws in stone and say that's exactly how it's going to appear at night. That wouldn't be open minded now would it? I gave the slight edge in light through-put and contrast to the Ethos.
In my opinion, it isn't wise to sell certainty with optical terms and definitions without "experience". It's better to remain open minded about what you appear to be seeing and try to express it constructively. Quite frankly, it's very disappointing listening to some of the comments in forums with those who spend most of their time just reading and chatting yet, don't even have an inkling of experience in the field to back their claims. They read books and all the sudden they're optical experts. I'll give you an example. These discussions about OK4 vs. FPL53. If a person thinks it's a major concern, it's clearly an indication that they don't have the experience to realize they're asking the wrong question about their concerns. The observers mind is polluted with confusion because things on paper are very misleadng and things DO NOT always behave as the papers claim and you of all people should know that Tom. This is why I tell many of my customers to STOP gargling the forums and get out in the field and get experience. That's why I hold my own star parties twice a month. I help beginners by allowing them to see through different telescopes in the field.
There's nothing wrong with people trying to read books and reviews but at least "apply it in the field" for crying out loud, there's a BIG difference. You and I have been members of CN since 2002, longer than everyone. I have over 3000 posts to my name. The purpose of the forums should be to offer constructive insight and meaningful forums. Sometimes I admit having some fun in the forums, but I try to keep my posts short and meaningful so there's less for people to gargle and Instead what I see happening in many cases, is the forums being used like Facebook or Myspace.
I'm shocked that Televue openly admitted the change in coatings. With regard to Televue saying they use the same newer coatings with all their eyepieces, your statement is very misleading and you're trying to discredit the comments in my review. First off, most of the Televue's in circulation DO NOT have the newer coatings and the reason I know that, is because Televue told me they were just starting to use the newer coatings during last years open house at OPT. If that's not the case, then you and I are getting conflicting stories from Televue. From what I was told, the green and red stickers on the plastic sleeves the eyepieces come wrapped in are simply to inform Televue which eyepieces have the newer vs. older coatings but that's been going on a while. I also know Televue is reading and following this forum very carefully.
Secondly, Televue has been around for over 30 years. I find it very unlikely that the majority of consumers who own Televue's all decided to gather up and throw their Televue's in the garbage and buy new ones within one year. What I sated in my review about the coatings was valid. The Ethos do have the latest, greatest coatings and most observers who compare them will see a difference.
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Tom Trusock
   
Reged: 02/26/02
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Re: ES14 v.s. Ethos 13
[Re: Daniel Mounsey]
#3080433 - 05/02/09 06:31 AM
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I basically advocated what appeared to be a tad more rectilinear distortion in the 14ES and a bit more pincushion in the 13 Ethos.
Daniel,
Pincushion *is* a type of rectilinear distortion.
And in regards to your earlier quote of my statement - you are most certainly entitled to your opinion. However, optical definitions aren't really a matter of opinion.
T
I realize this statement sounds like a contradiction. I was merely indicating that while viewing an object (a particular tree in fact) during the day near the edge of field in each eyepiece, that the 14ES appeared a tad less straight than the Ethos, but once again and as I stated in my review, it was very subtle. I simply related that to rectilinear distortion because the term is usually related to straight lines seen during the day while pincushion is something we relate to more often during the night when stars appear pinched along the center. Are they the same thing? I suppose, but they are still two different terms and if they ARE exactly the same thing, then why bother to give them two different terms? I applied them both.
Daniel,
We're still not communicating.
Your initial statement was not a contradiction, it simply does not make sense.
There are two types of distortion that we need to worry about for astronomical eyepieces. Angular Magnification Distortion and Rectilinear Distortion. Further rectilinear distortion can be classed as one of two types - Pincushion or Barrel.
Pincushion and Barrel are a subsets of RD, RD is the superset.
To use an analogy, in saying that the Ethos has more pincushion and the ES has more RD - well, it's like you're talking about two cars, and you say one car is a sedan, but the other car is more of a car. They are both cars, but sedan is the particular type.
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that the 14ES appeared a tad less straight than the Ethos, but once again and as I stated in my review, it was very subtle.
I think this statement, however, is indeed a contradiction with what you previously wrote.
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Regardless and Ironically, the center of the field still seemed more pinched along its "center" more so in the 13 Ethos during the night while viewing the stars, while the 14mm ES appeared more uniform, flatter or corrected along most of the field of view and everyone agreed, myself included.
Ok. But here again, we run into problems - what do you mean by flatter? It too has an optical definition. Do you mean in terms of Distortion (either AMD or RD) or Field Curvature? These are fundamentally different aberrations. Optically to describe it as a flat field specifically refers to a lack of field curvature. (IE - focus does not change across the field.) But your statement sounds like you're talking about distortion.
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In your defense, perhaps that part of the review is a bit vague and should be more clearly stated, but remember that these eyepieces have huge fields of view and a lot can happen in that field. You can't just lay optical laws in stone and say that's exactly how it's going to appear at night.
In the case of distortion, yeah - I think you pretty much can. There are lots of other things that can be affected by implementation (scatter for instance), but distortion is a design characteristic.
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That wouldn't be open minded now would it?
It's not a case of being open minded. It's a case of understanding what's going on and why. These are basic optical concepts with established definitions.
You rather dismissively state that book learning without experience is of limited value - and there's certainly truth to that - as far as it goes. But ideally, people develop BOTH their education and their experience. Understanding without seeing is one thing. Seeing without understanding is another. IMO, everyone, but especially people who attempt to educate others (especially where technical items are concerned) should have or consider it a must to develop a good balance of both.
It's an ongoing process. In education we use the phrase "Lifelong Learner".
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I gave the slight edge in light through-put and contrast to the Ethos.
In my opinion, it isn't wise to sell certainty with optical terms and definitions without "experience". It's better to remain open minded about what you appear to be seeing and try to express it constructively. Quite frankly, it's very disappointing listening to some of the comments in forums with those who spend most of their time just reading and chatting yet, don't even have an inkling of experience in the field to back their claims. They read books and all the sudden they're optical experts. I'll give you an example. These discussions about OK4 vs. FPL53. If a person thinks it's a major concern, it's clearly an indication that they don't have the experience to realize they're asking the wrong question about their concerns.
The observers mind is polluted with confusion because things on paper are very misleadng and things DO NOT always behave as the papers claim and you of all people should know that Tom.
Daniel, there are at least two phases - design and implementation. Design absolutely goes by the book. It has to. People can't begin to design things if they didn't have some assurance they'd have a working product. To see what they may have overlooked, as well as what may be implementation issues (that may not have been considered) you go through the prototyping and production prototyping process. When you're looking at a piece of gear critically it's important to know what is design and what is implementation. For example, IIRC Tak states the TSA has a design strehl of .992. We both know that does not mean every TSA has a strehl of .992, rather just that's the maximum design value - real world values will be lower. This is where a sound knowledge of theory comes it. It allows you to interpret what you see and effectively communicate it to others.
FWIW, I look at the times I'm confused (and there have been lots over the years) as an opportunity to merge practice and theory. I know the chances I'd develop a new optical theory are vanishingly small, ergo when I see something in practice that apparently goes against the knowledge of theory I have, it's almost certainly because my knowledge is flawed. These are learning experiences, but you have to recognize them as such.
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This is why I tell many of my customers to STOP gargling the forums and get out in the field and get experience. That's why I hold my own star parties twice a month. I help beginners by allowing them to see through different telescopes in the field.
There's nothing wrong with people trying to read books and reviews but at least "apply it in the field" for crying out loud, there's a BIG difference. You and I have been members of CN since 2002, longer than everyone. I have over 3000 posts to my name. The purpose of the forums should be to offer constructive insight and meaningful forums.
I completely agree that people need to see what they like for themselves, and I always emphasize that, but that's not the point here.
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I'm shocked that Televue openly admitted the change in coatings. With regard to Televue saying they use the same newer coatings with all their eyepieces, your statement is very misleading and you're trying to discredit the comments in my review. First off, most of the Televue's in circulation DO NOT have the newer coatings and the reason I know that, is because Televue told me they were just starting to use the newer coatings during last years open house at OPT. If that's not the case, then you and I are getting conflicting stories from Televue. From what I was told, the green and red stickers on the plastic sleeves the eyepieces come wrapped in are simply to inform Televue which eyepieces have the newer vs. older coatings. I also know Televue is reading and following this forum very carefully.
Secondly, Televue has been around for over 30 years. I find it very unlikely that the majority of consumers who own Televue's all decided to gather up and throw their Televue's in the garbage and buy new ones within one year. What I sated in my review about the coatings was valid. The Ethos do have the latest, greatest coatings and most observers who compare them will see a difference.
Daniel, that's not what my earlier coating statement was about. The purpose of coating an optical surface in an eyepiece is (typically) to increase throughput. According to them, Tele Vue's coatings do not now, nor ever have, changed the tone from warm to cool. Yes, coatings have changed over the years. (In fact, Tele Vue told me they had changed coatings several years back, and just reconfirmed it for me.) And their coatings probably will continue to change as better ones come out. (I'd expect that from any manufacturer.) And yes, older eyepieces will have different coating - But again - that's not the point. The point was you specifically stated that their coatings were responsible for changing the hue from warm to a cooler tone. According to them that's incorrect. Period.
Look, we're going in circles here, so this is my last word on the subject.
As I mentioned above, I think it's very important to both see and understand if you're trying to educate others. If one does not, the educator may unintentionally do a disservice to both the learner and the field. Misconceptions, once formed, can be very difficult to overcome.
Learning is an ongoing process. You have a great love of astronomy, and for that I commend you.
Please consider the following: One does not have to present things technically, and many folks benefit from that immensely, but if someone is going to speak technically and in an authoritative voice about technical items, then they have a responsibility to understand and use the correct terms for what they are describing, as well an obligation to ensure that the information provided is as accurate as possible.
Thank you.
T
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rob cos.
scholastic sledgehammer
   
Reged: 03/11/04
Loc: New England
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Re: ES14 v.s. Ethos 13
[Re: Tom Trusock]
#3080489 - 05/02/09 07:34 AM
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I can't help thinking that no matter how Daniel had described his experience(technical or subjective) with these two eyepieces...he was still going to experience passive/aggressive posts in defense of Televue. 
Getting past the technical jargon, I understood perfectly what Daniel was trying to say without the further discussion of his use of technical jargon or mentioning of undercuts.
And i'll bet plenty others did too.
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EdZ
Professor EdZ
   
Reged: 02/15/02
Loc: Cumberland, R I , USA42N71.4W
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Re: ES14 v.s. Ethos 13
[Re: Daniel Mounsey]
#3080498 - 05/02/09 07:44 AM
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Field curvature usually causes the issues discussed rather than pincushion and I added some clarification regarding my statement "per your comments", so there were less misunderstandings. The problem is that when I moved the eyepiece left and right to check for either aberration, there was unquestionably a tad more pincushion in the 13 Ethos and so it's difficult to say for sure what it could be.
Field Curvature causes stars to progressively grow in size, from center to edge, from a tiny pinpoint into larger out-of-focus blobs. Identifying Field Curvature and separating it from other aberrations is fairly easy, since it is the only aberration that can be focused out.
Degree of field curvature can actually be measured. Not exact, but surprisingly fairly accurate. Using a variety of double stars, for instance a 10" pair at 60% out, a 20" pair at 70% out and perhaps a 30-40" pair at 90% out, (might need 5" 10" and 20" pairs, but I'll continue with those in my example) note the degree of aberration by how large do the disks of the stars grow at that position. Then refocus and note how large they appear to be grown again.
An example: eye piece in use gives 50 power; double star pair observed is 20 arcseconds. Position of pair is 70% out from center.
When precisely focused at center of fov, 20" pair positioned at 70% out shows bloated images just touch each other. Therefore at 70% out, "total aberrations" are causing 50 x 20" = 1000 arcseconds apparent aberration. Now leave pair at same 70% position and refocus "on them". If total aberration removed from image of the pair is half of bloated distorted image, then curvature removed by refocusing on them was responsible for 50 x 10" = 500 arcseconds apparent aberration, and the remaining total aberration is due to some combination of astigmatism, coma and/or spherical aberration. Curvature has now been measured at that position. In the absence of a field flattener, it almost always increases further out from center.
Pincushion shows no error in the image. It simply moves the image in the fov, so is almost impossible to see at night, unless it is extremely strong. BTW, pincushion is not necessarily an undesirable aberration, since it may be designed into the eyepiece to eliminate astigmatism. Pincushion to a small degree can be advantageous for daytime viewing since it reduces the rolling-ball effect. However, in general, these would not be considered daytime eyepieces.
edz
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