Resonant Spaces - H-Alpha Etalons
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Resonant Spaces
Part 1: An Introduction to Air Spaced Etalons and Solar Telescope Technology
by Colin Kaminski
Fig. 1
H-alpha prominence by Nick Howes using a
80mm H-Alpha Internal Mounted Air Spaced Etalon Photographic System
at
0.7A (f/40)
Introduction
One
sunny day I was on my way to
judge some holograms for an amateur holography contest. I was meeting
up with
another holographer who has more technical knowledge than I and the
goal was he
would judge the technical aspects and I was going to judge the artistic
aspects
of the holograms.
When
I arrived at his house he was
sitting in his yard looking at the sun through a
Hydrogen–alpha
(H-alpha)
filter. His telescope was quite refined and had some very interesting
features.
I quickly looked at the telescope as he offered me the eyepiece. I
paused for 5
seconds for a safety check; the wheels started turning in my mind. What
are the
dangers, how does this scope work, who is offering me the eyepiece? I
quickly
decided that if anyone knew enough about optics to make the contraption
I was
standing in front of it was Bob. This scope was 75mm in aperture, had
the
optical axis aligned with the north pole and was using a motor driven
diagonal
from a Newtonian to direct sun light into the objective (heliostat).
I
sat down at the chair and was
treated to a full disk view of the sun in H-alpha. The first thing I
noticed
was this telescope did not jiggle at all. The mounting was perfection.
The next
thing I noticed was my first prominence. I spent about 30 seconds at
the eye
piece and then talked with Bob a little about the telescope.
I
took one more view at the
eyepiece before I was convinced that I was going to have to acquire one
of
these things. Within a week I had my first h-alpha scope, a Coronado
PST, and
was completely fascinated by the technology. I have been designing
optical
setups and lasers for holography for more than 10 years and I was happy
to find
that much of my experience was useful in understanding the H-alpha
telescope.
Warnings
Don’t
ever look directly at the
sun without a filter. Don’t ever use a filter that is home
made such
as, but
not limited to photographic negatives, trash bags, CDs, Mylar bags,
smoked
glass, or welding filters except a shade 14. Perform a safety check
before each
use of a solar telescope. Make sure no part has been damaged in
storage. Make
sure there is no way for parts to fall off or be removed by children.
Don’t
forget your finder scope! It needs to have a filter or be blocked.
Don’t modify
a solar telescope unless you are an engineer and have researched the
risks.
Don't repair a solar telescope, send it to the manufacturer,
only they
fully
understand the design. Don't leave your solar telescope
unattended.
Don't use
your telescope for at least one hour after you have eaten. Ok, I made
that one
up.
Design
Overview
Fig. 2
A solar H-alpha telescope consists of
a small number of
optics that have been re-oriented by designers over the years. It will
be
helpful for us to simplify it and look at each component. In Fig. 2 we
have a
sketch of an objective mounted etalon design. Light first hits an
energy
rejection filter (ERF). This filter is mainly to remove unwanted heat
and
damaging UV from the system and can even be coated on the front surface
of the
etalon. Then we have the etalon and objective. Having the etalon in
front of
the objective makes sure that the light is parallel going through the
etalon.
Finally we have a trim filter that only passes a single line from the
etalon.
The largest commercially available front mounted etalon is 100 mm
although
there are plans (Lunt Solar Systems) to produce a 160 mm etalon in the
near
future.
Fig. 3
Another common arrangement is to have
the etalon internally
mounted. Fig. 3 shows the same optics with the addition to a lens pair
that
makes sure the light is collimated through the etalon. This has the
advantage
of lowering the cost by making the etalon smaller but some observers
claim the
view is better in the full aperture models. It also has the further
advantage
of allowing larger apertures.
The
light coming to us from the
sun at the H-alpha frequency (6563 Angstroms) is coming from a rarified
layer
of hydrogen gas slightly above the surface of the sun (photosphere)
called the
solar chromosphere. It is more sensitive to the effects of solar
activity than
the photosphere because its structure is dominated more by magnetic
effects
than the temperature and pressure effects that control the photosphere.
More
often than not one can see filaments above the surface of the sun and
prominences on the limb with even a small h-alpha telescope.
Theory
The
heart of an H-alpha telescope
is an etalon. More precisely it is called a Fabry-Perot etalon. This
article is
restricted to the discussion of air-spaced etalons but there are solid
etalons
as well. We are
going to start with
some theory (not too much) as it will help us learn why H-alpha
telescopes have
different qualities and prices.
Fig.
4
An
etalon is a resonant structure.
It works by bouncing light back and forth between two partially
reflective
mirrors. When the cavity width is an integer multiple of half of the
wavelength
it will transmit light. Light not satisfying this criterion is
reflected.
There
are two very important measurements
of quality in an etalon. Finesse and Free Spectral Range (FSR). It is
much
easier to show a graph than to workout the math involved. If you need
to do the
calculations yourself see the references at the end of this article.
Fig
5.
This
graph shows the difference
between two etalons that have the same FSR (marked
Äë) and different
Finesse
(marked äë). The finesse directly affects the
bandwidth. In solar
telescope
terminology we measure the bandwidth by Full Width Half Maximum (FWHM).
To
measure FWHM we measure the width at half the height of the peak in
Angstroms. This
does not tell us the full story as it is possible to design an optic
that has
steeper sides on the graph or with more flair at the bottom but to
compare one air
spaced etalon to another it is adequate. A typical air spaced etalon
has a
bandwidth of .7 Angstroms, which is a very high finesse indeed (around
15 or
so). With a narrow bandwidth you will see more contrast on the solar
disk
through the eyepiece. While deep space observers get
“aperture fever”
solar
astronomers get “bandwidth fever” and seek the
lowest bandwidths.
In
order to achieve a very high
finesse the manufacturer needs to control many factors. Reflectivity,
parallelism, surface quality, surface flatness and tilt need to be very
tightly
controlled. The most expensive factor here is surface quality and
flatness and
the difficulty increases at more than the square of aperture making
large
etalons quite expensive. Even if you are able to polish the plates to
1/100
wave your coating has to be dead on to keep it.
The
FSR defines the distance
between the peaks and is controlled by the mirror spacing (less than
.1mm). An
etalon is a “comb filter”. It will have hundreds of
peaks ranging from
IR to UV,
limited only by the qualities of the glass and reflection coatings used
for the
mirrors and the resulting graph looks like a comb. These other lines
need to be
blocked by other filters to make a useful H-alpha telescope system. The
higher
the FSR is the easier it is to design and manufacture the blocking
filter and
at some point the designer must make a compromise.
Since
an etalon is only a comb
filter we need to use other filters to remove unwanted bands. The
traditional
way is to use a full aperture filter that blocks UV and IR, often
called an
Energy Rejection Filter (ERF). Then after the etalon and close to the
focal
point add a “trim filter” or “blocking
filter”. (These
terms are used loosely in the industry as there are
many ways to eliminate all of the unwanted light.)
Fig. 6
Fig.
6 shows how adding blocking
filter trims the unwanted bands from the etalon. The blocking filter is
very
expensive and is placed near the focal point of the objective in order
to keep
the size very small and lower the cost. Depending on the FSR of the
etalon,
bandwidths of 1 to 5 nm are used (10 to 50 Angstroms). This filter has
to
remove much of the energy of the system and its design is critical to
the
success of an H-alpha telescope.
Since
the trim filter takes the
brunt of the energy load over a very small area its life is limited. A
common
repair in solar telescopes is to have the trim filter replaced.
Blocking
filters are offered by
the different manufactures in different apertures. Choosing the proper
aperture
is a matter of calculating the size of the sun at the point where the
blocking
filter will be placed. This size is only dependent on the focal length
of the
telescope and the filters are rated for focal length. (ie B600 is for
telescopes with a focal length shorter than 600mm.)
Tilt
tuning
Fig. 7
Tilting
an etalon has the effect
of as raising
the bandpass frequency (blue
shifting) as well as slightly lowering the finesse. The tilted etalon
is shown
in the graph above with the non-tilted etalon. In a perfect world you
want your
etalon on band with no tilting. This is not practical in a
manufacturing
environment because it requires spacers that are made to an exact
thickness
within a few wavelengths of light. Also the refractive index of air
changes
with altitude making a tilting mechanism a necessity. So, air spaced
etalons
for solar telescopes are tilted up to .5 degrees to tune on band. It is
not economical
to temperature tune an air spaced etalon because the index of
refraction of air
changes slowly with temperature.
Double
stacking
Fig.
8
The
bandpass of an air spaced
etalon is limited to around .7 Angstroms due to the difficulty with
polishing
and coating glass to the required tolerances. In order to get a tighter
resolution you need to add another etalon. This has been termed double
stacking. One etalon is tuned to a slightly different frequency than
the other.
This causes the transmission curves to overlap. As can be seen in Fig.
8 this
lowers the light throughput as well as narrowing the bandwidth. A
typical
double stacked air spaced etalon will have a bandwidth of .5 Angstroms.
It has
the side effect of dimming the image slightly but most users prefer it
over the
wider band. The ideal two etalons will have different tilts to bring
them on
band. This helps eliminate ghosting of the image.
Fig. 9
By Pete Lawrence with a SolarScope 70mm filter
Single Stacked Image
on Left and Double Stacked Image on Right.
A
very interesting side note to
etalons is that they provide evidence for the wave nature of light.
Imagine if
you will, a photon traveling through space and it encounters an etalon.
The
first surface of the glass is AR coated so it passes without any
problems. The
next surface is coated to 85% reflectivity. The photon rolls the dice
and 85%
of the time it is reflected back. But if we then place another
partially
mirrored surface slightly behind the first one, the photon (if it has
the right
frequency) will transmit 95% of the time! How does this photon know
that there
is a mirror right behind the first one?
Installation
Installation
of an aperture
mounted air-spaced etalon can not be easier. You may or may not need an
adaptor. If you do the cost for an adaptor is a small fraction of the
cost of
the filter and they are available for most every telescope. Since the
etalon is
fragile use both hands when attaching the etalon to the telescope. Make
sure to
install the blocking filter at the eyepiece end. This is often
contained in a
diagonal.
Tuning
When
tuning a single stacked
filter you simply focus till the limb of the sun is sharp starting from
outside
of focus and going towards inside of focus (make the telescope
shorter). When
the limb is sharp you adjust the tilt of the solar filter until surface
detail
is most prominent. Then you can start to scan the limb for prominences.
A few
iterations of this procedure will have the filter quickly tuned to
perfection.
Tuning
a double stack is very
similar except there are two filters that must be aligned very close to
the
desired band. However, once at the eyepiece a little practice is worth
1000
words of instruction.
Solarscope
Fig. 10
Courtesy of Solarscope
A
traditional air spaced etalon is
made from two plates of glass with a thickness 1/6th
of the diameter
that are polished flat to better than 1/20 of a wave and the
irregularities are
lapped together to within 1/100 of a wave! This remarkable achievement
is quite
time consuming and expensive.
Solarscope
founded in 1973 in the
Isle of Mann makes traditional air spaced etalons although their exact
polishing
specifications are proprietary. There is a ring of spacers around the
outside
holding the plates in alignment with no central obstructions. The
precision and
quality of the filters is admirable and they have been aptly described
as the
Rolls Royce of solar filters. They make filters in 50,
60, 70 and 100 mm
aperture versions and offer complete solar telescopes.
Coronado
Fig. 11
SM-90 and BF-30 by
Mike Taormina
Coronado
started making etalons
for the amateur astronomer in 1997. David Lunt patented many ideas to
reduce
the cost of and improve air spaced etalons. One however became the
defining
feature of Coronado telescopes. Patent 6181726 specifies that instead
of
polishing the etalons to extremely high tolerances he could polish
large thin pieces
of glass with standard production techniques and cut out the best parts
of the
plate to make an etalon. Then to make them even more accurate they
would make
very large spacers around the edges or even add one to the middle
called a
“foot” (although the patent does not require it).
These large spacers
cover
more than 25% of the etalon making the outer diameter larger than a
traditional
etalon (The patent does require more than 25% of the surface area be
used for
spacers). The spacers are made to a very high tolerance by very
carefully
selecting areas of normally polished plates. This forces the plates
into a
tighter tolerance by straining the plates into alignment during
contacting
(gluing).
The
next way Coronado lowered the
cost of etalons was to make smaller etalons and place them inside the
telescope. This was an idea from the long established solid etalon
industry. Without
additional optics this is not possible because the light cone is
converging and
the conditions of resonance are not met for light coming from the edges
of the
objective. This problem is enhanced by low index of refraction gaps and
since
air has an index close to 1 beam angles need to be controlled more
tightly than
in a solid etalon. Coronado reduced this problem by placing a negative
lens
ahead of the etalon expanding the light rays to a nearly parallel
bundle before
passing through the etalon. Then after the etalon they placed a second
lens to
re-converge the light. (See Fig. 2) This design was used in many of the
Lunt
scopes including the PST which has a 40 mm aperture and a 20 mm etalon
and drove
the cost down to where almost anyone could own an H-alpha telescope.
Coronado
was acquired by Meade and
continues to make the product line. Coronado makes 40, 60 and 90 mm
aperture
etalons as well as complete telescopes.
Lunt
Solar Systems
Fig. 12
Courtesy of Lunt
Solar Systems
The
newest player on the air
spaced etalon scene is Lunt Solar Systems formed in 2007. It was
started by David
Lunt's son, Andy Lunt. Lunt Solar Systems is designing both
air spaced
and
solid etalons. Only the air spaced designs will be considered here.
Andy
Lunt has worked on optical
design and fabrication for the aerospace industries and is hoping to
bring some
of the technology to H-alpha solar telescopes. Lunt Solar Systems has a
patent
pending status on their new air spaced etalon used on their largest
aperture
etalons. The patent is not public yet, but according to Andy Lunt one
of the
claims in the patent is the new “Root 3” system.
The
“Root 3” etalons use a
traditional sized spacer with highly polished flats. The spacers are
arranged
in a circle around the outside of the etalon allowing about 95% of the
aperture. There is a second circle of spacers placed approximately at
1/1.73
(1/square root of 3) of the diameter of the etalon in the field of
view. This
is intended to make the etalon glass stiffer as well as give the etalon
more
contacting area to avoid the problem of de-contacting with rough
handling.
As
of this writing Lunt Solar
Systems has not started delivering etalons yet. They are currently in
production and should be on the store shelves this summer. They are
taking pre-orders
on 50, 75, 100 and 160mm etalons as well as complete telescopes.
Conclusion
The
last 20 years has seen a great
amount of innovation in air spaced etalon design for H-alpha
telescopes. We
have seen the apertures increase and the cost decrease as new ideas and
manufacturers have entered the market. What was once a very specialized
instrument is now common place. If you have not yet viewed through one
please
try to get to a local astronomical meeting and take a peek. You will
not be
disappointed.
Further
Reading
Wikipedia
-
http://en.wikipedia.org/wiki/Etalon
Etalon
Designer Applet -
http://www.lightmachinery.com/etalon-designer-r6.php
Solarscope
-
http://www.solarscope.co.uk/
Coronado
Website -
http://www.coronadofilters.com/
Lunt
Europe Website -
http://www.luntsolarsystems-europe.com/
Fundamentals
of Solar Astronomy,
Bhatnagar and Livingston
Optics,
Hecht
Cambridge
Encyclopedia of the Sun,
Lang
Patent
06181726
Patent
06215802
Patent
07142573
Patent
07149377
Patent
07248405
Patent
07332044
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