You're welcome, Andy. And the vice was certainly the better option.
While kind of unnecessary, I still tightened the adapter as normal. That, coupled with the snug fit, ensures that it won't go anywhere. And a replacement-screw is an easier option, too.
I've had good results with the Polemaster: I achieved 210-second exposures (unguided) the other night (not yet processed) and I couldn't be happier. With that said, the software can be annoying. Several times I've gone through all the steps, and then in Start Monitor the cross-hairs commence dancing all over the screen, and I have to start over.
Moreover, the SGP does not have a Home option (maybe with the controller, but that's a waste in my opinion): so I use a small post-it with a dot on the edge and place it on the screen next to the chosen star, so I know where the Home position is at the end of alignment.
mbphoto: I'm at 41-degrees and I've simply raised the height of the tripod: at least on calm nights without much wind. As long as your tripod is sturdy, the additional height doesn't really increase vibration. But the added height does allow for a more-convenient viewing-angle, for alignment.
As I've said, long focal-lengths are pushing the SGP past what it's meant for; but if set up well, it can be done. With the FX camera, I think there's an option to enter a DX mode, which will crop the image but zoom you in a bit. I use a D500 and haven't used FX in some time, so I could be wrong there.
And finding Polaris, for me, involves keeping both eyes open. You can get Polaris mostly centered by moving the polarscope in relation to your other eye. And then you have a single bright star, which you can align thereon.
Also, to ensure that your polarscope is exactly vertical, center Polaris and then move the mount up and down to see if Polaris follows the center line. Tweak, and then when positioning Polaris in the reticle, your alignment will be more accurate.
Edited by Dave24137, 31 July 2018 - 01:30 PM.