As I understand the making of filters, it is difficult to achieve high transmission and narrow bandwidth.
It's especially difficult to achieve a steep side to the bandwidth, a high transmission, and pick up all the lines desired.
As the bandwidth is narrowed, the transmission usually drops. Many H-ß filters, for instance, have fairly low transmission because
the bandwidth is narrowed for contrast. DGM's NPB has a lower transmission than their much-wider VHT, for example.
Sacrificing 10% to gain a narrower bandwidth is quite acceptable, which is why whether it's 88 or 98% transmission isn't as important as controlling the bandwidth.
You won't see the difference between 99% and 95% in a filter any more than you would in an eyepiece or a mirror coating.
I've tested O-III filters with bandwidths from 7 to 30nm, and the narrower ones definitely display better contrast, albeit with a dimmer field overall, so aesthetics are involved for many viewers.
None of the O-III filters tested under 11nm bandwidth were visual-specific filters. A 7-10nm O-III photographic filter (concentrating on passing primarily the 500.7nm O-III line for imaging purposes)
can, of course, be used for visual use, and what you see will have fantastic contrast, but you won't see as extensive a nebula as you would with a slightly wider filter.
So I'd put the best compromise between large size of the nebula and contrast for small features within the nebula at 11-15nm for an O-III filter and 21-27nm for a UHC-type.
You're right that, in general, narrower bandwidths go with larger exit pupils. If the image field is already quite bright, restricting it is less injurious to overall brightness.
There is no appreciable difference visible between 11nm and 12nm, though.
But what if you have a small aperture? Well, as long as the exit pupil is large, the same thing applies. I've used a 12nm O-III filter on a 50mm finder to look at the Veil and it was quite well seen (the whole nebula at once, too), so I agree with David Knisely that a smaller aperture doesn't require a wider filter. A slightly wider filter of its type might pass more light (see the Lumicon UHC figures, for example--incredible), but the difference isn't likely to be visible if the difference is only a few percent.
What I see in some filters is misplaced bandwidths, where the FWHM figures clip one of the spectral lines trying to pass.
I don't see why a 30nm wide UHC type filter would clip either the H-ß line or the higher O-III line, for instance, yet some do.
One O-III filter actually extended up in the spectrum far enough to catch the C2 spectral lines in comet's tails, but, unfortunately not at a high enough percentage to be recommended as a comet filter. And its
transmission at the lower O-III line wasn't high enough either. It was simply a poorly-designed filter.
But when we're talking Lumicon, Astronomik, or TeleVue, we're talking high-end filters and the results in the field will be excellent with any or all of them.
My problem is that I have them all, so which ones do I sell?
Edited by Starman1, 24 July 2018 - 01:21 PM.