Baffles should be designed with the field stop of the widest eyepiece, or the diagonal of the sensor, in mind. If the baffles produce a cone that is smaller at that point, then the field of view will not be fully illuminated. For visual use, a small amount of falloff will not be noticed, while in imaging vignetting will be visible.
Adapting a 0.965" telescope to 2" eyepieces for a wide FOV will likely result in perception of a dimmer view, and moving the baffles further back will relieve that. But if another baffle isn't inserted closer to the objective (or flocking added) it can also result in stray light reaching the eyepiece, resulting in a brighter field with lower contrast. Of course, if someone is doing that for a 60mm objective, there's such a small difference between the aperture and the field stop that it may be better to take out the baffles and simply flock the tube.
The classic Pentax 65/85/100 series is easier to adapt because Pentax designed for a 38mm diameter set of eyepieces that they sold for straight-through use. I can use 2" eyepieces with my 85 and 100, and see a bright, high contrast field. On the other hand, my AP 6"f9 came with one 3" baffle, at the mid-point of the focal length, which gave it a very small fully illuminated field. Replacing that with a six baffle system significantly increased the brightness of wide fields, while retaining the contrast.
For high power viewing, where an eyepiece such as a 4 to 6mm ortho has a tiny eye lens, moving the baffles doesn't offer any benefit. Because lunar and planetary observing at high power is a common use for a small aperture, f15 refractor, moving the baffles may not be worth the effort. Such a scope wouldn't be a top choice for wide field sweeping.
That said, in some cases, the baffles are just held by friction, and with some bumping, they can slide forward without it being noticed. In that case, it's still worth moving them back, but not removing them.
Chip W.