Was fortunate to get drawn for a Stowaway recently and had been hoping to do an ultimate 90mm class shootout between it and my old Vixen FL-90S f9 fluorite doublet. Had the opportunity tonight to finally put them head to head.
The setup:
Dual mounted on a Rowan AZ75
Diagonals: Each had a Baader t2 BBHS mirror
Binoviewers: Each had Binotron with powerswitch.
Eyepieces: Tak 25mm TPL on the Vixen, 18mm TPL on the AP.
Exit pupils used via identical powerswitch settings: AP 1.2mm and 0.77mm, Vixen 1.23mm and 0.79mm
So everything was setup for as fair a contest as I could manage.
First thing I noticed was the AP was notably brighter. The nebulously of Orion had more pop, Jupiter and stars were a bit brighter.
Both scopes were color free, but the Vixen had a warmer tone. I’m not sure I would have noticed this without the ability to immediately swap back and forth between scopes, but Jupiter was warmer, star colors ever so slightly muted on the Vixen in comparison to the AP. It certainly put to bed the fluorite vs (at least top shelf) triplet debate on star color as far as I’m concerned. Though I suppose there is room for newer fluorite doublets having better coatings (in fact I’m not sure the fluorite element on these were coated at all).
This is where it got odd. I was adjusting focus on the Stowaway a lot more. The stars initially didn’t seem quite as sharp. I started the test without any cooldown time (important factor to me with my typical limited observing time), so perhaps the doublet had better cooldown characteristics. Wasn’t a very extreme temp differences though, went from a 70s house into 60s outdoors. I found myself adjusting focus on the stowaway less as the night went on, but still more than the Vixen. Perhaps just the Vixen’s f9 depth of field being more tolerant.
This was another odd one, the Vixen just felt “more relaxed.” Despite the slightly dimmer view and more muted star colors (I don’t want to overemphasize this, it wasn’t huge), the Vixen just always felt for a lack of a better term more consistent. Again maybe the debated greater depth of focus of the Vixen was handling the seeing conditions better. Maybe the slightly dimmer view was less jarring to the eye, I don’t know. This is the observation I’m least confident in, as it was more a feeling than objective. It could have also very well been related to my binoviewer setup, less than perfect IPD setting or diopter being slightly off. Either way I noticed it throughout the night.
The only obvious performance difference I found was at the very end of my session. Came across a dim and fairly tight double. The Vixen split it, but the AP was cleaner and easier to consistently make out. I’m not convinced this wasn’t just due to the Stowaway’s slightly brighter image, as the stars were just within the scopes reach. If they were brighter with the same separation I’m not sure there would have been a difference.
Overall the comparison was a bit annoying, as I was hoping it would be obvious which to sell. It wasn’t. The differences I saw never would have been noticed if not directly side by side and were small enough they could simply be other gear confounding variables (newer diagonal, binoviewer sample variation, eyepiece variation, etc).
My ultimate takeaway was I’m going to have to choose if I want essentially a f6.65 or f9 Stowaway (or to the credit of the Vixen, an f9 or f6.65 FL-90S).
From the value perspective the Vixen is an absurdly good deal if you can find one. About a third of the price of the Stowaway, and I dare say its equal. It’s really too bad they are no longer made (Takahashi, are you listening?).
The plus side of all this is I’m really looking forward even more to my upcoming TEC 140 f9.6 fluorite doublet. This was a nice confirmation a top shelf doublet can give a triplet a run for its money.