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Simple Image Editing For Sketches Using GIMP

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#1 Tony Cifani

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Posted 30 April 2025 - 02:05 PM

I thought it would be helpful and fun to discuss basic instructions for photo editing sketches for posting here on Cloudy Nights. This is just one method you could employ using the free image editing software GIMP, which is similar to Adobe Photoshop and available on desktop for PC/Mac/Linux. There are many great free and low cost image editing applications and apps available that can be used to do the same thing, and I welcome any and all suggestions for other software that you've used to edit and process your sketches.
 
In this case, I was interested in editing an image of a pencil sketch made on white paper and photographed with my iPhone, the goal being to invert and desaturate the image and then adjust exposure and contrast levels and finally scale and size appropriately for the Cloudy Nights Sketching Forum. From the get-go, GIMP looks a bit complicated if you haven't used it before, so I've included screen shots of each step I used to edit and process my sketch image. Once you get used to the interface, GIMP actually has almost all of the same tools and features as the full blown professional Adobe Photoshop and can be a very powerful image editing tool. 
 
After importing the image from my phone to computer, I open it in GIMP and then use the cropping tool if necessary to crop out any unwanted parts of the image. My next step is to desaturate the image since it's pencil on white paper. I'm pretty lazy when it comes to photographing my sketches and quite often color casts from different light sources will be visible in an image, sometimes yellow or blue. And smart phones aren't perfect for establishing neutral color balance. One way to get around this is to make sure you are using the same type of lighting when photographing your sketches. Don't mix daylight and an indoor LED lamp for example. I photograph most of my sketches using soft indirect daylight during the daytime. Desaturating insures that you won't see any color in an image. Omit this step if your sketch is in color. I've photographed color sketches outdoors on overcast days and this works pretty well with minimal need for color correction.
 
Because my sketch is on white paper, the next step is to invert the image to get a light object and dark background.
 
The following step may be the most difficult to master using GIMP's Levels adjustments, but with practice it will be easier to do in time. I prefer Levels to the basic Contrast and Exposure adjustments because I can darken my sketch to simulate the actual sky brightness I experienced during observing. Simply slide the middle Input slider in the Levels Tool to darken or lighten the image to the desired amount. Then, adjust the far right Input slider to increase the background sky brightness slightly if needed. If the highlights are too bright, adjust the far left Input slider to darken. You may need to adjust the middle slider again after adjusting the other two.
 
Next, scale the image to the appropriate size for posting here on Cloudy Nights (if you are uploading directly to your post). Rule is 1600 pixels longest dimension (or 1600 x 1200 pixels at 72dpi), no more than 500kb in file size.
 
Finally, you'll need to Export your file as a compressed JPEG for posting. Note the estimated file size on the last GIMP screen shown. Adjust the quality level until the file size is below 500kb.
 
Good luck and I hope this helps!
 
 
 
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#2 bphaneuf

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Posted 30 April 2025 - 02:18 PM

This is fantastic Tony! Thank you 🙏. I’ve been wanting something like this ( I need a lot of hand-holding when it comes to tech tools) as the frustration with photographing black paper won’t go away. I may end up going back to paper/pencil and then reversing values if I can’t resolve the issue. But I have loved the Mellish process. Very satisfying to watch an object develop with a brush.

Edited by bphaneuf, 30 April 2025 - 02:19 PM.

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#3 Tony Cifani

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Posted 30 April 2025 - 02:26 PM

This is fantastic Tony! Thank you . I’ve been wanting something like this ( I need a lot of hand-holding when it comes to tech tools) as the frustration with photographing black paper won’t go away. I may end up going back to paper/pencil and then reversing values if I can’t resolve the issue. But I have loved the Mellish process. Very satisfying to watch an object develop with a brush.

Yes! Black paper can be difficult. I think it's the sheen on the paper's surface that ends up reflecting some of the light and then you get gray parts. And most cameras and phones set to autoexposure won't correctly expose for a dark background either. I'm actually headed to the local art store this weekend to buy black paper and pastels and chalks. I'll experiment!


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#4 bphaneuf

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Posted 30 April 2025 - 02:32 PM

Sounds good. There’s also a club member who was very accomplished in photography before getting into astronomy imaging. I need to pick his brain about lighting. Also need to see if I can replicate the set up for which one of our CN Mellish gurus sent me instructions.
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#5 JoeFaz

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Posted 30 April 2025 - 04:45 PM

This is fantastic Tony! Thank you . I’ve been wanting something like this ( I need a lot of hand-holding when it comes to tech tools) as the frustration with photographing black paper won’t go away. I may end up going back to paper/pencil and then reversing values if I can’t resolve the issue. But I have loved the Mellish process. Very satisfying to watch an object develop with a brush.

Have you considered scanning your sketches rather than photographing? I've never scanned black paper, but I suspect it would work much better. The scanner I have and use to scan my (black on white) sketches is very simple and costs less than $100 (Epson V19 II). 


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#6 bphaneuf

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Posted 30 April 2025 - 04:48 PM

Thanks Joe. I have, and the glare is far worse. I think due to the reflective properties Tony mentioned.
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#7 JMSchwartz

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Posted 30 April 2025 - 07:12 PM

Tony great stuff   thanks for this information ,haven't use this program yet , regarding the topic of background anomalies and reflections when rephotographing your sketch making it digital. In procreate, you can put the alpha lock on the image of your object & itwill be isolated from the overspray allowing you to repaint the whole background with any color without affecting your locked  image. It's like a mask.Haven't tried gimp yet, but I know several people use it. And it's very good because their images are excellent. I've had good success with my program, but it's always good to add new

Tools to help you portray the image as you want it to look. Thanks sure touching on this subject.

Kind regards Jon


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