I struggle with understanding what type(s) of eyepiece(s) work well or do not work well with an f/6 focal ratio. Can someone explain that for me? I am new to all of this as well.
I saved this post from years ago by Don Pensack, aka Starman1 here on CN. He operated an eyepiece and other visual accessories business for many years, and retired last year. He still posts a lot on CN, and provides his outstanding Eyepiece Excel Spreadsheet that is available in the Eyepiece Forum in the Equipment section of CN. It explains a lot of what you are wondering about:
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Eyepiece Tutorial from Don Pensack, “Starman1” on CN
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Joined: 24 Jun 2003
Posted 17 September 2013 - 11:27 PM
It is because all eyepieces perform best when the light rays entering the bottom are parallel. To correct the eyepiece for all aberrations and yet have the rays enter the bottom at greater and greater oblique angles requires additional lenses or a different design than if the eyepiece is not designed for those oblique rays.
The light rays from the edges of an f/10 scope enter the eyepiece closer to parallel than those from the edges of an f/5 scope. So, many older designs which were designed back in the eras when f/12 was considered a "short f/ratio" scope do poorly on today's shorter f/ratio scopes.
The most common problems induced by using an eyepiece below its "critical f/ratio" are astigmatism and later chromatic aberration [there are other potential problems, but these are most easily noticed]. That would be the case at high powers as well as low.
If the eyepiece is designed to handle the f/4 light cone without added aberrations, it will also do well at f/12. The reverse is not necessarily the case.
Many simpler designs (Huygens, Ramsden, Kellner, Plossl, Abbe orthoscopic, Erfle, Brandon, Konig) were not designed to handle the short f/ratio light cone. They certainly can be modified to do so, and some modern derivations have been so designed. But, in general, if you want a widefield eyepiece design, and you want it well corrected to f/4 (or faster), it will have more internal lenses or be a more complex design and that will add to the cost.
If the apparent field is kept narrow, the corrections to the simpler designs may not add much money, if any. It is when the apparent field gets wide and you want the ability to handle the shorter f/ratios that the eyepieces get expensive.
One of the paradoxes of modern astronomy is that a high percentage of low-priced scopes are short f/ratio dobsonians, yet most of the inexpensive eyepieces are not well corrected to work with short f/ratios.
I would like to see us return to the time when manufacturers stipulated the "Critical F/ratio" of their eyepieces (below which the light cone might induce additional edge aberrations and sometimes unpredictably).
Some examples:
Huygens--f/12 (better at f/15)
Ramsden--f/10
Kellner--f/6-8
Abbe Ortho--f/6
Plossl--f/4
Konig I--f/4
Erfle--f/6
Erfle II--f/4
RKE--f/6
Mod.Erfle--f/4
Konig II--f/4
Zeiss Astroplan/Masuyama--f/4
All current TeleVue--f/4
Some of us who take for granted the superior correction of more modern types might take issue with the manufacturer's stated minimum f/ratio figures (like a Konig at f/4), but we also have to remember that most of these eyepieces were designed to have narrower apparent fields than modern production pushes them to. The Konig I, for instance, was supposed to be a 55 degree field eyepiece, not the 65 degree fields found on some of the modern production. And Plossls were supposed to be 45-50 degrees, not the 55-60 degree fields found in some recent incarnations. When eyepieces are pushed beyond their designs, it is not surprising to find the edges of the fields aren't as good as they should be.
Don Pensack
http://www.EyepiecesEtc.com
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Edited by Oldfracguy, 29 May 2025 - 09:47 PM.